Compensation push for GM-contaminated farmers 29/6/2017

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It’s on again. Greens are pushing for some kind of compensation for canola growers who have had their crops contaminated with neighbours’ genetically modified seed.

Such farmers can find their crops attract much lower prices on the world market.

This story began as a media release from a politician but quick interviews with an industry expert and the farmer most affected by GM contamination brought it to life.

From The Great Southern Weekender Thursday June 29 p5.

From The Great Southern Weekender Thursday June 29 p5.

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Authorities unlikely to get any fire restitution 11/8/2016

This is an example of a story lead changing right on deadline.

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I had written about a judgement made against a young man who had started a bushfire and was ordered to pay a six-figure sum in damages.

I interviewed the fire control officer who was pleased with this result.

My editor had already put the story “on the page” when the man’s lawyer contacted me telling me his client could not be jailed for non-payment as it was a civil matter.

From The Great Southern Weekender Thursday, August 11, 2016.

Cultural centre Bedulu

Another draft chapter from my guide to Lempad’s Art and Buildings in Bali

Getting there:

Lempad's wall at the abandoned cultural centre in Bedulu, Bali.

Lempad’s wall at the abandoned cultural centre in Bedulu, Bali.

If you are staying in Ubud, go south down Jl Hanoman or Jl Cok Gde Rai for about two kilometres until you reach Jl Made Lebah/Jl Raya Teges and turn left.Travel east along a road that then changes its name from Jalan Raya Goa Gajah to Jalan Raya Bedulu and then Jalan Pura Samuan Tiga. Pass through an ornately carved stone gateway and travel along a dual carriageway to a paved car park. Pura Samuan Tiga temple is on the left and Lempad’s art is part of the neglected cultural centre on the right, just before the road narrows. As all of Lempad’s art is on the outside of this building there is no need to go inside and consequently no entry fee.

Several excellent but neglected examples of Lempad’s art can be seen at this now abandoned cultural centre. Lempad was commissioned to carve a bas relief into clay bricks for this Suharto-era building used by visiting politicians to address meetings. It has been reproduced in full colour in Gaspar, Casannovas and Couteau’s book “Lempad”. Continue reading